Essayists exploring Huber’s work include writer and critic Sean Ashton, who examines collage in relation to Schwitters’ "Merzbarn" and Huber’s "As Above So Below". Elsewhere, curator and critic Sacha Craddock writes about Huber’s site-specific practice, while Shelley Hales, a lecturer in Visual Arts, investigates the dialogue between Huber’s work and Roman wall painting.