Paolo Venini and His Furnace. Venetian Glass 1934–1959

Curated by Sylva Petrová and Marino Barovier, the exhibition, organised in collaboration with LE STANZE DEL VETRO, celebrates the visionary work of Paolo Venini (1895 – 1959) and his iconic furnace. Born in Cusano Milanino and originally trained as a lawyer, Venini left his legal career after World War I to devote himself to the art of glassmaking, founding Vetri Soffiati Muranesi in 1921, followed by V.S.M. Venini & C. in 1925.

The exhibition features over 100 works, including creations by renowned collaborators such as Tobia Scarpa, Gio Ponti, and Fulvio Bianconi, who, together with Venini, helped shape new artistic trends on the international scene. Among the highlights are vibrant and refined vases, showcasing the elegance and innovation that defined the furnace’s production.

An interactive experience allows visitors to explore the technique of murrine, offering insight into the exceptional craftsmanship of Venetian glass. The exhibition is supported by the European Union and the Czech Ministry of Culture, with the patronage of the Italian Embassy in Prague.

See the catalogue of the exhibition held at LE STANZE DEL VETRO

Paolo Venini. Venedigs Glanz in Glas

The focus of the show is on the glassworks directed by Paolo Venini, an enlightened entrepreneur and visionary, alongside works by other renowned artists who collaborated with the Murano furnace during the 1930s to 1950s. Among these are celebrated figures such as Tobia Scarpa, Charles Lyn Tissot, Gio Ponti, Riccardo Licata, and Ken Scott. This exhibition offers a unique opportunity to explore the legacy of one of the key figures in 20th-century glass design.

Curated by Ruth Fabritius, the exhibition highlights Paolo Venini’s extraordinary personality and the pivotal role he played in the glassmaking world. It also showcases a carefully curated selection of works by the artists who contributed to the iconic Murano glassworks, especially during the post-war period, bringing fresh creative energy to the furnace. The exhibition serves as a tribute to Paolo Venini’s passion, enthusiasm, and the fruitful collaborations that shaped the history of Murano glass art.

See the catalogue of the exhibition held at LE STANZE DEL VETRO

Vittorio Zecchin – Glas für Cappellin und Venini

Zecchin’s creations are known for their classical elegance and delicate beauty. With subtly iridescent surfaces and impeccable proportions, his works marked a turning point in Murano glass production. Between 1921 and 1925, Zecchin became the first designer to collaborate with the glassworks of Giacomo Cappellin and Paolo Venini, establishing a distinctive style that earned international acclaim.

Drawing inspiration from Renaissance and Baroque paintings, as well as ancient glassmaking traditions, Zecchin defined a unique formal language that was enhanced by the craftsmanship of Giovanni Seguso and other master glassmakers. His works, with their delicate hues and technical precision, had a lasting influence on European glass production.

See the catalogue of the exhibition held at LE STANZE DEL VETRO

Paolo Venini – The Reformer of Italian Glass Design

The Finnish Glass Museum in Riihimäki proudly presents a captivating exhibition celebrating Paolo Venini (1895–1959), the visionary founder of V.S.M. Venini & C. and a key figure in the history of Murano glass. This exhibition takes visitors on a journey through Venini’s illustrious career, tracing the story of his glassworks, founded in 1925 with Napoleone Martinuzzi and Francesco Zecchin.

Following the success of the exhibition organized by LE STANZE DEL VETRO, the show not only honours Venini's genius but also pays tribute to the remarkable artists who collaborated with him between the 1930s and 1950s. Highlights include works by renowned designers such as Tyra Lundgren, Gio Ponti, Piero Fornasetti, Eugène Berman, and Tobia Scarpa. These pieces exemplify the dialogue between tradition and modernity, showcasing the unparalleled beauty and elegance of Murano glass.

The exhibition offers an immersive exploration of art and design, revealing how Venini attracted extraordinary talent and brought timeless masterpieces to life—works that continue to symbolize excellence and creativity in the world of glassmaking.

See the catalogue of the exhibition organized by LE STANZE DEL VETRO

Hiroshi Sugimoto - Post Vitam

After a major renovation, the Kyoto City KYOCERA Museum of Art reopens its doors with the inauguration of the new Higashiyama Cube exhibition space, showcasing Hiroshi Sugimoto – Post Vitam. This exhibition celebrates the visionary work of contemporary artist Hiroshi Sugimoto, exploring the intersection of photography, glass art, and spirituality to create works of profound beauty and conceptual depth.

Among the highlights is the Glass Tea House Mondrian, originally created for the gardens of LE STANZE DEL VETRO, an extraordinary glass installation. This piece, with its interplay of transparency and reflection, invites a meditative exploration of the relationship between art and nature. Post Vitam offers visitors a unique opportunity to experience the fusion of aesthetic beauty and spiritual inquiry through Sugimoto’s masterful use of both glass and photography.

See the catalogue of the exhibition held in the gardens of LE STANZE DEL VETRO

Vittorio Zecchin – Glas für Cappellin und Venini

The Kunstsammlungen der Veste Coburg proudly presents an unmissable exhibition dedicated to Vittorio Zecchin (1878–1947), a central figure in the design of Murano glass. Organized in collaboration with LE STANZE DEL VETRO, this exhibition honors Zecchin’s exceptional ability to blend tradition, innovation, and Renaissance inspiration, making him one of the most influential glass designers of the 20th century.

Born on the island of Murano, the heart of European glassmaking, Zecchin fused classical craftsmanship with modern design principles, leaving an enduring legacy in the history of glass art. The exhibition not only celebrates Zecchin but also pays tribute to the collective genius of the master glassmakers who brought his visionary designs to life.

Trained at the Accademia di Belle Arti in Venice, Zecchin initially drew inspiration from the ornate patterns of Art Nouveau, with paintings that echoed the work of Gustav Klimt. However, his transition to glass design in 1914 marked a pivotal shift in his style. As the artistic director of Vetri Soffiati Muranesi Cappellin Venini & C. from 1921 to 1926, Zecchin led a transformation in Murano glass, moving away from excessive decoration and embracing minimalist lines and monochromatic hues.

Among his iconic works is a vase inspired by Paolo Veronese’s Annunciation, which became a symbol of the glassworks. Zecchin’s creations – vases, plates, and candleholders – continue to embody timeless elegance and are still celebrated for their sophisticated design.

See the catalogue of the exhibition held at LE STANZE DEL VETRO

Carlo Scarpa. Vetri e Disegni. 1925-1931

Carlo Scarpa. Vetri e Disegni. 1925-1931 is an exceptional exhibition organized by the Municipality of Verona in collaboration with LE STANZE DEL VETRO and Pentagram Stiftung, with the support of Fondazione Cariverona. Hosted in the Boggian Hall of the Castelvecchio Museum in Verona, this exhibition offers a fascinating exploration of the Muranese glass art tradition through the lens of the renowned Venetian architect, Carlo Scarpa.

The exhibition, originally scheduled from 23 November 2019 to 29 March 2020, was unfortunately cut short due to the COVID-19 emergency but still stands as a remarkable opportunity to dive deep into Scarpa's collaboration with the esteemed M.V.M. Cappellin & C. glassworks. Through a carefully curated selection of 69 glass pieces, 52 of Scarpa’s drawings, and period photographs, the show creates a compelling dialogue between design and creation.

Additionally, the Carlo Scarpa Archive in Verona, housed at the Castelvecchio Museum, preserves valuable drawings and photographic documents related to this remarkable collaboration, underscoring the historical and artistic significance of the exhibition.

See the catalogue of the exhibition held at LE STANZE DEL VETRO

Venini. Venedigs Glanz in Glas

The Frauenau Glass Museum hosts a stunning exhibition focusing on the renowned Venini glassworks. In particular, the show offers visitors the unique opportunity to admire masterpieces designed by Tyra Lungren for Venini, thanks to the donation by collectors Uschi and Rainer Losch from Bonn. A special opportunity to wonder at the mastery of glass artistry and the enduring elegance of Italian design. 

See the catalogue of the exhibition held at LE STANZE DEL VETRO

Sugimoto Versailles. Surface de Révolution

Curated by Jean de Loisy and Alfred Pacquement, the exhibition offers a unique perspective on the dialogue between tradition and innovation in one of the world’s most iconic cultural landmarks.

Among the remarkable works on display is the Glass Tea House Mondrian, originally created for LE STANZE DEL VETRO in 2014. 

See the catalogue of the installation hosted in the gardens of LE STANZE DEL VETRO

The Glass of the Architects: Vienna, 1900-1937

This remarkable exhibition, originally presented at LE STANZE DEL VETRO and now at the Corning Museum of Glass, delves into the pioneering contributions of architects such as Josef Hoffmann, Koloman Moser, and Adolf Loos active in Vienna between 1900 and 1937. These young visionary designers collaborated with renowned Viennese glass manufacturers like E. Bakalowits & Söhne and J. & L. Lobmeyr, introducing revolutionary forms for both decorative and functional glassware. Their work embodied the principles of the Wiener Werkstätte, which championed a close collaboration between designers and artisans to create innovative and unique works.

Curated by Alexandra Ruggiero, the exhibition is divided into seven sections, each shedding light on the evolution of Viennese glass design, from the masterpieces of the Secession to the groundbreaking works showcased at international expositions. The showoffers an unmissable opportunity to discover the timeless allure of modern glass.

See the catalogue of the exhibition held at LE STANZE DEL VETRO